Oil on distressed canvas 2014
31cm x 31cm
Scheffer became particularly well-known as a painter of Goethe’s Faust, a contemporary drama with roots in a sixteenth-century story. Scheffer’s interest in the Faust story can be traced back to 1825, and between 1831 and 1858 he painted eight major compositions with themes from Faust, most of them episodes centring on Marguerite.
The subject of Faust and Marguerite in the garden of her neighbour Martha who looks on with Mephistopheles comes from Part One of Goethe’s Faust. The exquisitely painted Marguerite, beautiful and innocent, has a finely modeled torso, exuding a sinuous sensuality of which she appears unaware. Faust, determined to seduce her and transformed by Mephistopheles’ magic into a handsome youth, places his head close to her while bringing about her seduction and ultimate ruin.
(from http://www.wga.hu/html_m/s/scheffer/faust.html)
Joolie Green’s formal art training began in Life drawing at the Brett Whiteley Studio and several periods at Art Students League in New York followed by National Art School short courses and Life drawing. During the last decade, she undertook several study and sketching trips to US, Japan and Europe. Highlights were exhibiting in New York with fellow Australians, and a solo show At The Vanishing Point. Due to her interest in children and non-profits, she was invited three times in group shows at Sydney Children’s Hospital and for the last six years in successful auctions by Variety for Children. She has held exhibitions overseas in Japan, Nice and Naples, and in 2013 was awarded Winner of Naples Contemporary Art Prize for Sea Fever. She has happily returned to SE Qld to pursue her painting career in a glorious mountain environment.