Friends part
forever – wild geese
lost in cloud
charcoal on paper 2006
From the Exhibition The Girl Can’t Help It, Nostimo’s Woollahra
Matsuo Munefusa, alias Bashō (1644-94), was a Japanese poet and writer during the early Edo period. He took his pen name Bashō from his bashō-an, a hut made of plantain leaves, to where he would withdraw from society for solitude. Born of a wealthy family, Bashō was a Samurai until the age of 20, at which time he devoted himself to his poetry. Bashō was a main figure in the development of haiku, and is considered to have written the most perfect examples of the form. His poetry explores the beauties of nature and are influenced by Zen Buddhism, which lends itself to the meditative solitude sensed in his haiku.
Joolie Green’s formal art training began in Life drawing at the Brett Whiteley Studio and several periods at Art Students League in New York followed by National Art School short courses and Life drawing. During the last decade, she undertook several study and sketching trips to US, Japan and Europe. Highlights were exhibiting in New York with fellow Australians, and a solo show At The Vanishing Point. Due to her interest in children and non-profits, she was invited three times in group shows at Sydney Children’s Hospital and for the last six years in successful auctions by Variety for Children. She has held exhibitions overseas in Japan, Nice and Naples, and in 2013 was awarded Winner of Naples Contemporary Art Prize for Sea Fever. She has happily returned to SE Qld to pursue her painting career in a glorious mountain environment.